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An outstandingly significant feat of Mozart scholarship. A fundamental reassessment of the early history of 'Cosi fan tutte' and a major contribution to its critical.
Table of contents

In response, Mozart made changes, producing a Vienna 'version' of the opera.

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This study presents new evidence about the Vienna version. The Prague Conservatory score is identified as the primary exemplar for the entire Viennese dissemination, which incorporates two quite distinct versions. Aspects of 'Don Giovanni's' compositional history are uncovered and evidence is provided to evaluate Da Ponte's recollections. The essential truth of his account - that the re. It suggests that Mozart considered the idea that the pairings in Act II should not be crossed: that each of the two disguised officers should seek to seduce his own woman.

Although this alternative plot structure was rejected, signs of it may remain in the final score, in the uneasy co-existence of dramatic duplicity and musical sincerity, and in the ending, in which the easy restitution of the original couples seems not to take account of the new passions that have been aroused. Evidence that several of the singers were re-cast is also presented.

Four different versions are identified, including a significant revision in which Mozart removed the Act II finale canon.

RSB Artists - Laurent Pillot conducts Cosi fan tutte in Liverpool

The composer's probable involvement in the Prague production is also discussed. Cabals and satires : Mozart's comic operas in Vienna by Ian Woodfield Book 8 editions published between and in English and held by WorldCat member libraries worldwide This is a study of the political context in which Mozart wrote his three Italian comedies, Figaro, Don Giovanni, and Cos i fan tutte. Salomon and the Burneys : private patronage and a public career by Ian Woodfield Book 10 editions published in in English and held by WorldCat member libraries worldwide.

The early history of the viol by Ian Woodfield Book 10 editions published between and in English and held by 77 WorldCat member libraries worldwide. Three pieces : for viols with lute by Hans Gerle 5 editions published between and in No Linguistic content and Undetermined and held by 48 WorldCat member libraries worldwide. Salomon and the Burneys: Private Patronage and a Public Career by Ian Woodfield 6 editions published between and in English and held by 39 WorldCat member libraries worldwide "Johann Peter Salomon, the celebrated violinist and impresario, made his debut in England in March History has credited Salomon with bringing Haydn to London, yet as Ian Woodfield reveals in this monograph, Salomon's introduction of the composer to the London musical scene owed as much to luck as to skilful planning.


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Haydn's engagement in London proved to be a much-needed uplift to Salomon's career which, as Woodfield illustrates, had been on the wane for a number of years. In addition to its reassessment of Salomon's uneven career in London during the s, this book throws light on the general relationship between public and private spheres of professional music-making at the time, and on the relationship between the social and professional attributes required of musicians if they were to be successful. Nowhere are these tensions better illustrated than in the letters and journals of the Burney family, especially those of Susan Burney, which are drawn on in the book to provide a vivid picture of the fiercely competitive musical world of eighteenth-century London.

Four pieces for rebecs or viols by Hans Gerle 2 editions published in and held by 31 WorldCat member libraries worldwide. The celebrated quarrel between Thomas Linley senior and William Herschel : an episode in the musical life of 18th century Bath by Ian Woodfield Book 1 edition published in in English and held by 18 WorldCat member libraries worldwide.

Key content coverage is combined with exam-style tasks and practical tips to create a revision guide that students can rely on to review, strengthen and test their knowledge. With My Revision Notes, every student can: - Plan and manage a successful revision programme using the topic-by-topic planner - Consolidate subject knowledge by working through clear and focused content coverage - Test under.

Così fan tutte

Sociology by Ian Woodfield 2 editions published in in English and held by 15 WorldCat member libraries worldwide. This scene — beautiful as it is — is harrowing for me to watch, as these guys put their girlfriends in an utterly false position just over a cocky bet. I hate it.

And yet Our ears — or at least my ears — know that something is wrong with this. I read it when it came out in , but have been eagerly awaiting a chance to re-read it, and teaching the work again this spring while also writing the blog prompted me to find the time to do it — and to have the relatively inexpensive facsimile of Mozart's autograph at my elbow.

This sort of forensic study is not for everyone, but I would expect anyone who follows this blog would find it at least worth a try.

2013 Cosí fan tutte

That said, the conclusions Woodfield draws from this are earth-shattering. This is, of course, not the work as we know it. I suspect that it was an attempt to make the far-fetched plot seem a little more reasonable not that that is a precondition for opera libretti If the pairs were not crossed, Ferrando would not need to be told anything nor Guglielmo later , nor would the audience.

It would be a recipe for tedium.

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Mozart, “Un’aura amorosa” from Così fan tutte

Intriguingly, the opera was first intended for Antonio Salieri, whose incomplete draft of the first few numbers survives. Leaving these couples together, though, made it necessary to switch the vocal types, with Dorabella as the high soprano and Fiordiligi as the mezzo. Evidence supporting this can be seen where these vocal parts have been reversed in the autograph as in the example below in their first number 4 , but nos.

Mozart left the space for the pronoun blank for a while as he decided what Guglielmo was to say and to whom. Ultimately that was a restoration apparently to the criss-cross couplings, but it is fascinating to consider how different the work might have been. The work that resulted is not perfect.